Pozvánka

schaeume_produkte

Workshop

Gerriets – Haussmann

Firma Gerriets organizuje workshop zameraný na technológie a výrobky firmy Haussmann.

28. alebo 29. 6. 2016 v priestoroch dielní ND Brno

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Report

Vylet_Vieden_JP (2)

Výlet do Viedne

Eliasson, TheaterMuseum, MuseumsQuartier a iné

Foto 4.3.2016:

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Report

Uvod_do_svetelneho_dizajnu-Jan_Ptacin-VSMU-20160212 (6)

Workshop

Úvod do svetelného dizajnu

12.2.2016 sa v divadelnom Štúdiu VŠMU – Lab uskutočnil malý workshop svetelného dizajnu. Workshop bol súčasťou vyučovacieho procesu predmetov Svetelná technika pre 3. ročník BC stupňa štúdia a Svetelný dizajn pre 1. ročník MGR stupňa štúdia.

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Kniha

Milan Čorba: Kultúra a civilizácia.

Milan Čorba: Kultúra a civilizácia.

Najpredávanejšie knihy v sieti predajní Artfórum za rok 2015

Najpredávanejšou knihou z produkcie Centra umenia a vedy VŠMU v sieti predajní Artfórum za rok 2015 sa stala kniha Milana Čorbu Kultúra a civilizácia.

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Pozvánka

DOD_2016

Deň otvorených dverí na DF VŠMU

Piatok 15.1.2016 od 11:00 (Katedra scénografie)

Potenciálni poslucháči, absolventi, ale aj široká odborná i laická verejnosť! Všetci ste srdečne pozvaní nahliadnuť do kuchyne, v ktorej sa varí budúca scénografia (scénografi a scénografky). Príďte sa pozrieť ako to vyzerá na Katedre scénografie Divadelnej fakulty VŠMU v piatok 15.1.2015 od 11:00. V ateliéroch na štvrtom poschodí budú nainštalované semestrálne práce študentov, ktorých sa budete môcť pýtať na šteklivé detaily.

 

K programu Dňa otvorených dverí DF VŠMU viac na stránke Lab-u >> http://divadlolab.vsmu.sk/

 

 

 

Svetelné labolatórium FEI STU

IMG_2638

Fyzika, optika, elektrotechnika

Návšteva Akreditovaného laboratória svetelnotechnických zariadení FEI STU

Ďakujeme: profesor A. Smola, Mgr. R. Dubnička

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Theater Tech Brno

Theater-tech_Brno-VSMU-Katedra_scenografie (3)

Veni vidi vici.

Katedra Scénografie VŠMU na THEATER TECH v Brne

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Pozvánka

Pozvánka_WS_video

Resolume – Live video on the Stage

Ďalší zo série workshopov na tému svetelný dizajn

Termín: 13. – 14. 12. 2015
Miesto: Stanica Žilina – Záriečie
Organizátor: Anténa – sieť pre nezávislú kultúru

Viac info a kontakt v PDF  >> Resolume – Live video on the Stage

 

Prednáška

VSMU-Robo_Svarc

Robo Švarc

Telesnosť a sociálno v umení 20. – 21. storočia

PQ 2015 – Exposition Nomination

PQ2015-VSMU

NOMINATION FOR GOLD MEDAL

PQ 2015 Best Exposition in the Student Section

Gold Medal PQ 2015 for Best Exposition in the Student Section:

Finland: The Other Side

Nominated:

Slovakia: The Aura of Scenography

Russia: Do you want to speak bad English with us about art?

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PQ 2015 – Exposition

PQ2015 – Exposition of The Academy of Performing Arts Bratislava

EXPOSITION “AURA OF SCENOGRAPHY”

Student Section PQ2015

Aura of Scenography

“Aura” is the key word of my PhD research. This term has already been used before in the work of philosopher Walter Benjamin as well as in the work of theorist and architect Peter Eisenman. In my research I define “aura” as the concept/ essence/ base of scenography. Every scenographer (consciously or unconsciously) forms the answer to the questions “What is a scenography” and “What is its aura” while creating the scene. Pragmatists could call it the original style of the Artist. In this short text I am not trying to persuade you or explain my theory. The only thing I want is to show you the importance of my research.

How does aura arise? Aura is present in every piece of art. It is created by its author during the process of creation. It is a key to author´s way of thinking about scenography, his way of seeing the world, his taste, education etc. It is the sign of work’s authenticity as well as of author’s honesty. It seems unnecessary to be dealing with aura in particular, because it does arise or does not arise anyway. And that is true.

I started to be dealing with aura purely for my personal reasons. I wanted to legitimize my whole creative work as “ascenographic”. While I am designing architecture, scenography in theatre, movies and various events, as well as by designing interiors and graphics, I apply the same individual method tomy work. Let’s say it is scenographic method of work. Then everything what I do could be called a scenography. I would own a method of how to work “in a scenographic way” and I could even start to be teaching it.

But instead of “producing” new scenographers, I would be “producing” only the copies of myself. Because it was not my answer, but my question that helped me to become a scenographer.

The research of education in scenography at KS VSMU as well as the searching for aura as the important part of this research. The confrontation of auras from the past, present and future can be found in the premises of Kafka’s house. What is actually a scenography?

It’s a political game, and what will be installed… is now unclear like the weather at that time. The beginning of summer.

Ing. arch. Mgr. art. Michal Lošonský – curator of the exposition

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PQ 2015 – Exposition Preparation

PREPARATION PROCESS

Student Section PQ2015 VŠMU

“Aura of Scenography”

AUTHORS:

Department od scenography VŠMU Masters degree (supervision prof. J. Ciller)
Karolína Kamenská, Ján Husár, Martina Rusnáková, Gabriela Timoránszka
/ resources, context, conception

Mária Stanko (Puppetry scenography and technology)
/ main idea of the exposition

Teo Kuhn (filmmaker, director)
/ video

Lenka Novosedlíková (music componist)
/audio

Peter Čanecký, Jan Kocman, Oleg Fintora, Ivana Macková, Gabika Paschová, Jan Ptačin, Ondrej Zachar, Michal Lošonský, (JaOnMi CreatureS), Zuzana Stranovská, Svetlana Waradzinová, Blanka Páleníková
/ concepts & managing team

Michal Lošonský
/curator

 

PQ 2015

MKSR

Hello Quadrennial!

WITH FINANCIAL SUPPORT OF THE MINISTERY OF THE SLOVAK REPUBLIC
AND VSMU INTERNAL GRANT PROGRAMME SYNERGIA

 

PQ 2015 – Department of Puppetry – Graduates

Graduates-Department_of_Scenography-and-Puppet_scenography-Bratislava-2012

GRADUATES

Puppetry scenography and technology

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